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A Hawaiian kapa beater

Description

Early 19th century, the rounded handle leading to a four-sided squared surface, each with a different incised pattern, an old label attached, (wood split to handle). Lg. 15 3/4 in. Provenance: Private collection, Los Angeles, CA; Tad Dale, Santa Fe, NM.

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A Hawaiian kapa beater

Lot 0051

Estimate $800-$1,200Apr 2, 2026, 12:00 PM EDT

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$400

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Native American PreColumbian Tribal, Fine Art

Apr 02, 2026 12:00 PM EDT

Santa Fe, NM, United States

A Hawaiian stone figure: Carved from vesicular basalt, the head with two faces with round, open mouths, short arms below and short legs. Lg. 11 in. Provenance: Private collection, Santa Fe, NM; The Al Luckett Jr. collection,

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A Hawaiian stone mortar and ball: Carved from basalt, the bowl with tapering sides, with a round stone with a shallow hole. Ht. 5, wd. 7, and wd. 4 1/2 in. Provenance: Private collection, Santa Fe, NM; The Al Luckett Jr. collection,

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A Hawaiian stone figure: Carved from basalt, the abstract human figure with large, open mouth and round eyes and nose, breasts and the left arm with a three-fingered hand and legs below. Lg. 10 1/2 in. Provenance: Private

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A Hawaiian stone figure: Carved from basalt, the abstract figure with large head and large open mouth, the right arm extended to support it, with legs drawn up. Lg. 12 3/4 in. Provenance: Private collection, Santa Fe, NM;

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A pair of Aboriginal feather shoes: A pair of Kadaitcha shoes from the Pitinjara people, Fregon, South Australia, made from a mat of feathers mixed with human blood and hair. Lg. 8 1/2 in.

7 days LeftA pair of Aboriginal feather shoes

A Micronesian shark tooth dagger: Gilbert Islands, 19th century, the carved wood handle and shaft with shark teeth attached by sennit fiber, (some teeth missing). Lg. 15 1/4 in. Provenance: Private collection, Albuquerque, NM.

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A Guatemalan carved wood polychrome mask: 19th century, carved wood with polychrome surface and inset glass eyes. The face rendered in bold red and black pigment with pronounced beard and mustache details, along with a crest on the forehead.

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Three Guatemalan slingshot effigies: Carved hardwood figures depicting a squirrel, a human figure, and a human-jaguar transformation. Each shows distinct folk carving traits with expressive stylization. Lg. 5, 4, and 4, in.

7 days LeftThree Guatemalan slingshot effigies

An 18th century Spanish colonial retablo: Painted on wood depicting a standing male saint with glowing halo, right hand raised in blessing or prayer, wearing a green garment under a long white robe. Set against a clouded background with

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Peruvian lace work: Three ancient lace cloths from Peru, pre contact. 35 in, 25 x 31 in, 66 x 37 in.

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An early South American pictorial textile: 19th century, or earlier, the woven textile panel with a red and blue checked ground featuring a central stepped diamond motif in tan and rust tones. Handwoven in wool with visible selvedge and age

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A Pre-Columbian stone effigy mace head: Carved stone effigy mace head and jade or jadeite ceremonial piece. The mace head sculpted in the form of an abstract face with drilled eye and beak, the surface showing wear consistent with age.

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A large Pre-Columbian Colima dog: Colima, Protoclassic, 100 B.C.-250 A.D., the large dog alertly posed standing on heavy squat legs, the head with fully formed features, with large round ears, coffee bean eyes, snout and wide mouth,

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A Pre-Columbian Colima dog: Colima, Protoclassic, 100 B.C.-250 A.D., the redware dog with elongated front legs holding an incised object with both paws and mouth, with large coffee bean eyes and large flaring spout on the back,

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A Pre-Columbian figural group: Tlatilco, Central Mexico, Middle Preclassic, circa 1150-550 B.C., depicting Siamese twins joined at the body. Ht. 5, wd. 2 3/4 in, mounted on a custom stand. Provenance: Private collection,

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A Fijian throwing club, Ula: Early 19th century, the long handle with tavatava carving on the grip, with a single row of small indentations leading to more around the base of the ball head, (minor wood splits). Lg. 16 1/2 in. Pro

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A Fiji dance club: 19th century, the kinikini-type hardwood club with a long shaft and flattened, tapering blade, carved with an incised inscription on the blade reading “VILIAWU.” Smooth, rich reddish-brown pat

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Three South Pacific stone adze blades: Pre-contact period, the largest a green stone adze blade from New Caledonia, a small Cook Islands basalt blade and a short, wide adze from Tahiti, with a Fortess label attached. Lg. 8, 5 1/2, and 4

7 days LeftThree South Pacific stone adze blades

Two Maori stone adze blades: Pre-contact period, a large black basalt stone blade with flat ridge and smooth cutting surface, with Fortess collection label attached, with another stone blade with narrow cutting surface and

7 days LeftTwo Maori stone adze blades

A Marquesan carved coconut vessel: Late 19th century, the coconut with lid, fully decorated with a repeated abstracted figure device, with broken sennit fiber attached at rim. Ht. 6 1/4, wd. 4 in. Provenance: Private collection, Los

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