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Renaissance Revival Carved and Figured Walnut Bed, Thomas Brooks Attributed

Description

New York, circa 1875, bold carvings throughout including large crest to headboard, highly figured burl panels, unsigned, 99-1/2 x 66 x 85-1/2 in.

Provenance: Gift from Eleanor Curnow, September 1945; Property from the Brooklyn Museum

Note: Per Brooklyn Museum notes this bed is made by T. Brooks & CO, available to view on their website.

Condition

loss to molding centering crest, loss to base of finial, central roundel carving to headboard with minor loss, headboard with split to proper left stile, typical wear with minor scratches, scuffs, and edgewear
Note - Brunk Auctions makes every effort to offer accurate and thorough information, but encourages prospective bidders to inspect items in person whenever possible. Condition statements are provided as a courtesy for general guidance and should not be considered complete or definitive. They do not represent a warranty or assumption of liability by Brunk Auctions. Certain condition issues may not be specifically noted in the report but may be visible in the accompanying photographs, which are considered part of the overall condition report. Please refer to our Terms of Sale for complete information and contact us for additional photos or information as needed.

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Renaissance Revival Carved and Figured Walnut Bed, Thomas Brooks Attributed

Lot 0632

Estimate $800-$1,200Apr 9, 2026, 10:00 AM EDT

Starting Price

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$400

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Property from the Brooklyn Museum | April 9

Apr 09, 2026 10:00 AM EDT

Asheville, NC, United States

Walter Ernest Tittle, 27 Portrait Etchings: (American, 1883-1966)1921-22, possibly proofs, each signed in pencil " Walter Tittle", all but one from Portraits from the Washington Conference on the Limitation of Armaments, 1921-1922, including:

Apr 09, 2026Walter Ernest Tittle, 27 Portrait Etchings

Mary Gamble Rogers, Two Watercolors: (American, 1882-1920)A Little American, circa 1919, inscribed verso "no. 98, A Little American, Maggie Rogers" (possibly in artist's hand), accompanied by artist label in same handwriting, watercolor

Apr 09, 2026Mary Gamble Rogers, Two Watercolors

Claggett Wilson, Two Spanish Watercolors: (American, 1887-1952)The Corner, circa 1920, signed "Claggett Wilson" lower right, title inscribed verso, mixed media on paper, sheet, 9-7/8 x 9-1/4 in.; mounted on card, 16 x 14-1/4 in., unframed;

Apr 09, 2026Claggett Wilson, Two Spanish Watercolors

Four American Watercolors: (American, 19th-20th century)Charles Sidney Hopkinson (1869-1962), Lake Asquam Evening, circa 1920, signed "CH" lower left, title inscribed verso, watercolor on paper, 11-3/8 x 16 in.; matted, 18 x

Apr 09, 2026Four American Watercolors

Seven Watercolors with a Double-Sided Winthrop Turney: (American, 20th century)Winthrop D. Turney (1884-1965) The Bottle, circa 1924, signed "Winthrop Turney" upper right recto, second watercolor image verso, watercolor on paper, 13-3/8 x 11-7/8 in.;

Apr 09, 2026Seven Watercolors with a Double-Sided Winthrop Turney

Owen Merton: (New Zealand/America, 1887-1931)Bermuda Scene, 1922, signed "O Merton 1922" lower left, watercolor over pencil and charcoal, on Museum Collection Fund Paper mounted on paperboard, 20-7/8 x 28-3/4

Apr 09, 2026Owen Merton

Three Watercolors of Mountain Landscapes: (American, 19th-20th century)Dorothea A Drier (1870-1923), Mount Washington, circa 1915, signed "Dorothea A Drier" lower right, title inscribed verso, watercolor and ink on paper, mounted to

Apr 09, 2026Three Watercolors of Mountain Landscapes

Four Watercolors Featuring New England and Barbados: (American, 19th-20th century)Charles Downing Lay (1877-1956), On the Connecticut, 1925, signed "Charles D Lay 1925" lower right, watercolor on paper, 10 x 14-7/8 in.; unframed; Edmond Weill

Apr 09, 2026Four Watercolors Featuring New England and Barbados

Five American Watercolors of Landscapes and a Figure Study: (American, 19th-20th century)Alexander Portnoff (1887-1949), Barnegat Fisheries, circa 1927, signed "A. Portnoff" lower right, watercolor on paper mounted on card, sheet, 14-1/8 x 21-1/4 in.;

Apr 09, 2026Five American Watercolors of Landscapes and a Figure Study

Four American Watercolors Including Anne Goldthwaite: (American, 19th-20th century)Anne Goldthwaite (1869-1944), Flat Tire, circa 1928, signed "Anne Goldthwaite" lower right, watercolor on paper, 15 x 20 in.; unframed and unmatted; Charles Avery Aiken

Apr 09, 2026Four American Watercolors Including Anne Goldthwaite

Carl Sprinchorn and Frank Mura, Two Works on Paper: (American, 19th-20th century)Carl Sprinchorn (1887-1971) Jungle Stream, Santo Domingo, circa 1928, signed "Carl Sprinchorn" lower right, double-sided with landscape verso, watercolor on paper, 15-1/2

Apr 09, 2026Carl Sprinchorn and Frank Mura, Two Works on Paper

Charles Webster Hawthorne and George Pearse Ennis: (American, 19th/20th century)Charles W. Hawthorne (1872-1930), Mexican Huts on a Ranch, circa 1928, signed in pencil lower right "Chas W Hawthorne", watercolor on paper, 14 x 20 in.; matted, 21 x 27

Apr 09, 2026Charles Webster Hawthorne and George Pearse Ennis

Marsh, Gilbert & Co. American Classical Carved Mahogany Eglomise Shelf Clock: Connecticut, circa 1830, wood 8-day movement, parcel gilt dial with two adhered red hearts, carved case crowned with eagle, paw and stacked ball feet, large eglomise panel with two architectural

Apr 09, 2026Marsh, Gilbert & Co. American Classical Carved Mahogany Eglomise Shelf Clock

Aesthetic Movement Ebonized Mirrored Dresser, Possibly Herter: possibly by Herter Brothers, New York, late 19th Century, ebonized, parcel gilt and marquetry, detachable mirror, inset marble top, unmarked; dresser: 30-1/4 x 55-1/2 x 26 in; mirror: 61-1/2 x

Apr 09, 2026Aesthetic Movement Ebonized Mirrored Dresser, Possibly Herter

Aesthetic Movement Inlaid and Parcel Gilt Ebonized Bed, Possibly Herter: possibly Herter Brothers, New York, circa 1880, probably cherry under ebonized surface, foliate and bird motif inlay, headboard also with baluster turnings, 75 x 62-1/4 x 84 in.Provenance: With

Apr 09, 2026Aesthetic Movement Inlaid and Parcel Gilt Ebonized Bed, Possibly Herter

Aesthetic Movement Ebonized Side Chair Possibly Herter: possibly by Herter Brothers, New York, late 19th Century, parcel gilt, ebonized and marquetry, upholstered crest and seat, unmarked, 35 x 18 x 17-1/2 in.Provenance: Offered at Sotheby's New York,

Apr 09, 2026Aesthetic Movement Ebonized Side Chair Possibly Herter

Thomas Brooks Renaissance Revival Carved and Burl Walnut Drop Well Dresser: New York, Brooklyn, circa 1875, poplar and and oak secondary woods, carved mirror frame with burl panels and candle shelves, dresser with white marble tops and four short drawers on either side,

Apr 09, 2026Thomas Brooks Renaissance Revival Carved and Burl Walnut Drop Well Dresser

T. Brooks & Company Marble Top Side Table and Armchair: Brooklyn, New York, 1870-1880, unsigned, walnut marble top side table, together with related armchair with woven seat, chair approx. 33-3/4 x 19 ×18 in.Provenance: Gift of Eleanor Curnow, 1945;

Apr 09, 2026T. Brooks & Company Marble Top Side Table and Armchair

New York Classical Style Klismos Chair, Label for Ernest F. Hagen: New York, circa 1926, mahogany frame with figured crest, lyre splat with metal strings, later silk upholstered seat, interior rear seat rail with label "From / Ernest F. Hagen, / Furniture and

Apr 09, 2026New York Classical Style Klismos Chair, Label for Ernest F. Hagen

New York Renaissance Revival Carved Walnut Dog Figural Mirrored Sideboard: New York, mid 19th century, poplar, white pine and mixed secondary woods; boldly carved shelved and mirrored top section with dog heads, base with two short drawers over two single door cabinets with

Apr 09, 2026New York Renaissance Revival Carved Walnut Dog Figural Mirrored Sideboard

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